No suits allowed
Labels: art, damien hirst
I am a thirty something married gay boy living in Sydney, almost on top of the gay scene but not in it!
Why Sometimes blue?, because I love blue, but also I am sometimes blue :)
Get me
Labels: art, damien hirst
Labels: art
Peter Pan was in last night to see the hanging of the Warhol's and he decided to rearrange our entire art collection!
Much to my husbands despair the panel piece is now downstairs, although I have agreed to go back to the Artist and ask him to provide three additional panels for it that are slightly less 'in your face'.
Trash is now opposite the Warhol's and the entire downstairs has a Pop Art theme with the smaller works like the Chagall and Brennan are upstairs waiting to be grouped in a new way.
The impact downstairs is quite amazing, Peter Pan has considerable talent in the area (well he is one of Australia's leading art dealers) and has pulled everything together really well.
Now I have a blank spot on the wall where the Pro Hart was with two hooks...
What to do what to do!
Maybe a Lichtenstein or a Brian Jones?
Labels: art
The Crown Prosecuters have pretty much said that Bill Henson's work is not obscene and the images do not break any obscenity laws.
What a great victory for the arts world and the normal art lover.
And what a total kick in the teeth to Kevin Rudd, Morris Lemma, Miranda Devine, Karl Stefanovic, Channel Nine and all the rest.
From this I have lost any respect I may have had for Kevin Rudd. If this is how he will be reacting to contentious issues in the future I doubt he will have much life as a Prime Minister.
Source
Labels: art, william yang
The recent furore over the Photography of Bill Henson has had some serious cold water sprayed on the right wing liberals vitriol.
The Classification board has classified the images in questions as:
"G" or "very mild..
Source
Let's see what happens next in this ridiculous thought police style attack on the art establishment....
Did you know that Robert Mapplethorpe's work caused the same furore when it was exhibited years and years ago? These days his work is considered some of the most important photography of his era!
Labels: art
Elizabeth FarrellyMay 28, 2008
By the time John Howard finally shuffled off he was an embarrassment even to his fans, like the wedding present you're dying to give to the school fete but daren't, just in case. The relief, across the country, was palpable, a sighing of land after rain. At last, it seemed, we had a leader to walk forward, not back. A leader who would tell the truth, eschew war, pluck refugee children from the rising tides of climate change and not embarrass us on the international stage.
For an instant or two, as Kevin '07 scolded China in her own language, the optimism persisted. Then, the rot. First it was the supremely daft Peter Garrett, tramping his ministerial Doc Martens all over the fledgling solar industry by means-testing the photovoltaic subsidy. Next, the budget allocation of more dollars, sooner, to the nonsense of clean coal than to renewables.
And then, embarrassment, with the ghost of decades past again making global headlines: police raids on Sydney galleries, artists in the dock. The thin blue line knotting itself once again around art. And why? It's like that joke. A man on the psychiatrist's couch sees, in ink blot after ink blot, nothing but sexual imagery. A butterfly shape looks like testicles, a hilly mountain-scape like a rollicking bedroom scene, and so on. But when the shrink delivers his verdict - you, sir, are a sex fiend - the man is indignant. "What?" he huffs. "But you're the one drawing the dirty pictures!"
This underpins the Henson case. Who's drawing the dirty pictures here?
But let me come clean. I don't much like Henson's work. I find it cloying and slightly disturbing. Treacly. Unnecessarily Norman Lindsayesque. This I share with Morris Iemma, Frank Sartor and Kevin Rudd. But that's where the common ground ends. Unlike them, I know that individual dislike, or even general disgust, isn't the point.
Never since the Medicis has art's main job been to please. When in 1865 the furore over Manet's defiant whore, Olympia, caused armed guards to be stationed outside the Paris Salon; when Duchamp's 1917 Fountain, an off-the-peg ceramic urinal, was ridiculed as both obscene and plagiaristic; when Andres Serrano's 1989 Piss Christ caused outrage in Europe (and closure in Melbourne) despite being declared "not blasphemous" by Sister Wendy Beckett: through all those furores our culture and our lives were enriched.
Art has undeniable moral content, but it's not the simple "thou shalt not" kind of moralising so beloved of churchmen and politicians. Art's moral role is exploratory, speculative and playful, more concerned with the poetics of contradiction and paradox than with mundane decoration, convention or instruction. Which is why art's freedom underpins civilisation. And why offence, moral or aesthetic, cannot be the test. Erase every offensive building in this town and there'd be a lot of new space. No, when moral leaders can describe women as "uncovered meat" and remain at large, offence is clearly not a decider.
To delete what offends is the mark of tyranny. Protecting what offends you, on the other hand, guards free speech. As Evelyn Beatrice Hall wrote, paraphrasing Voltaire, "I disapprove of what you say, but I will defend to the death your right to say it."
Action, of course, is different from speech. We do not protect freedom of action, especially when there is deliberate harm. But art, even visual art, is closer to speech than action. Manet's Olympia was considered pornographic not for her nudity, but for her unashamed prostitute status; for daring to make comment. This underlies Kenneth Clark's famous distinction between the naked and the nude; the nude being a message bearer, not just an unclad body.
Still, Henson's detractors look for harm caused by his pictures: harm to his subjects (which they, and their parents, deny); harm to children generally; harm, as it were, to public morality. This underlies Rudd's "let kids be kids" comments and Iemma's blather about moral codes and decency. As though a latent pedophile might enact his fantasies only after popping into a Paddington art show for inspiration.
In truth, however, pedophilia pervades society, ban or no ban. We habitually accept the sexualising of children - in advertising, television, beauty pageants and talent shows - as entirely normal.
We know that pedophilia thrives less on public erotica, offensive as such advertising is, than on secrecy masked as decency. We know it exploits children's innocence, not their sexuality, and that it flourishes in the very vestries, boudoirs and private offices of the respectable.
The Henson witch-hunt may yet become Labor's "children overboard" affair. One effect of which, if Henson weren't already world famous, would be to make him so, without affecting the child abuse figures one iota. And bear in mind that party signing itself "Yours, disgusted" on this is the party that closed ranks for months around its own ministerial rock spider Orkopoulos. Now that's disgusting. Almost as bad as living in a town where all art must be pre-approved by the Rudd, Iemma, Sartor triumvirate and all policy pre-approved by the coal industry. Who's drawing the dirty pictures now?
To delete what offends is the mark of tyranny. Protecting what offends you, on the other hand, guards free speech. As Evelyn Beatrice Hall wrote, paraphrasing Voltaire, "I disapprove of what you say, but I will defend to the death your right to say it."
Action, of course, is different from speech. We do not protect freedom of action, especially when there is deliberate harm. But art, even visual art, is closer to speech than action. Manet's Olympia was considered pornographic not for her nudity, but for her unashamed prostitute status; for daring to make comment. This underlies Kenneth Clark's famous distinction between the naked and the nude; the nude being a message bearer, not just an unclad body.
Still, Henson's detractors look for harm caused by his pictures: harm to his subjects (which they, and their parents, deny); harm to children generally; harm, as it were, to public morality. This underlies Rudd's "let kids be kids" comments and Iemma's blather about moral codes and decency. As though a latent pedophile might enact his fantasies only after popping into a Paddington art show for inspiration.
In truth, however, pedophilia pervades society, ban or no ban. We habitually accept the sexualising of children - in advertising, television, beauty pageants and talent shows - as entirely normal.
We know that pedophilia thrives less on public erotica, offensive as such advertising is, than on secrecy masked as decency. We know it exploits children's innocence, not their sexuality, and that it flourishes in the very vestries, boudoirs and private offices of the respectable.
The Henson witch-hunt may yet become Labor's "children overboard" affair. One effect of which, if Henson weren't already world famous, would be to make him so, without affecting the child abuse figures one iota. And bear in mind that party signing itself "Yours, disgusted" on this is the party that closed ranks for months around its own ministerial rock spider Orkopoulos.
Now that's disgusting. Almost as bad as living in a town where all art must be pre-approved by the Rudd, Iemma, Sartor triumvirate and all policy pre-approved by the coal industry. Who's drawing the dirty pictures now?
Source
My Own personal thoughts on this are clear, I am disgusted by the 'Wowsers' of society who have decided what is art and what is not, are we now entering a totalitarian state?
Is the art on my own wall considered to be child pornography?
Now Henson net cast over the web
Online photographs used by media websites to report on the investigation into Bill Henson have been referred to the Classification Board, the Minister for Home Affairs, Bob Debus, said.
ACT Police are also assessing at least 79 Henson photographs held in Canberra galleries as the investigation into the artist widens.
"Several online images of Bill Henson photographs from media websites reporting on the exhibition at the Rosyln Oxley9 gallery in Sydney have been referred to the Classification Board," he said.
They were referred to the board by the Australian Communications and Media Authority (ACMA), which investigates complaints about online content.
"They do not involve content published online by the Oxley gallery as the gallery voluntarily removed images from its website last week," Mr Debus said.
The Classification Board does not classify art exhibitions but classifies some publications including pictures published online.A spokeswoman for Mr Debus would not name the websites involved.The director of the National Gallery of Australia, Ron Radford, was reportedly questioned last night over the gallery's collection of 79 photographs, all of which were in storage.
Police said inquiries related to child pornography.No photos were seized in yesterday's raids on the NGA and other Canberra galleries.
"If we determine there are offences disclosed, then we will go through the process of seizing whatever needs to be seized in order to prove the offence," a police spokesman said.
Photos held in storage were subject to as much scrutiny as hanging works because child pornography charges included possession, he said.
"If you're in possession of child pornography, whether you have it on your computer and whether you view it or not, that's an offence."
Inquiries continue after raids on galleries in Sydney and Newcastle.
Labels: art
The monument was designed by Danish artists Michael Elmgreen and Ingar Dragset who have been collaborating as an artist duo for over ten years.
From DB Artmag:
Beneath the wood is a massive 83-ton cement stele, the Monument to Homosexuals Persecuted During National Socialism, which has not yet been inaugurated. A short time ago, the carefully packed monument was brought from its production site in Munich to Berlin and raised by a special crane onto its designated spot. Now, the oversized moving crate looks somewhat surreal in the Prussian park landscape. But there was a "ceremonial atmosphere" when it arrived, according to Michael Elmgreen.
The wooden crate is opened on one side, exposing concrete treated in a dark color and an inlaid window that provides a view of a video projection inside the massive slab. Here, one sees a scene that repeats itself in one-and-a-half-minute loops: two young men in a park, immersed in a tender conversation interrupted again and again by a kiss. The video will be shown for two years, after which it will be replaced with a work by another artist. The reason for this changeover, which was not part of the original plan, was the massive criticism the monument was subjected to prior to its realization. It was alleged that lesbians were not adequately represented by the images.
"We weren't concerned with providing a definitive answer to the representation of homosexuality," says Elmgreen, and adds that the artists are more than happy with a change of video every two years.
In any case, the idea of a continuous renewal fits in well with Elmgreen's & Dragset's idea of a living memorial.
Labels: art
It's been a really busy week, month, year so far.
The Warhols have been a hugely fun diversion from work and I have now sold 4 of them which means I only have three more to sell
If anyone would like to buy a Sunday B Morning screen print of Marilyn Monroe get in contact with me.
I am pretty amazed actually at the whole experience and the fact that I have essentially covered my costs by selling the four, but I will need to concentrate and sell the final three to make myself a profit and perhaps buy some new art?
Margeaux who has bought the gorgeous black / grey one did make a comment about my art collecting being far more organic and personal than my original 'I would like" list...
Anyway enough of Art LOL.
The puppy is getting better and even has the cone of silence off now as she has stopped chewing at her back paw. She still has another ten days or so on the antibiotics and anti-histamines but we are hoping that much of the problem with her paw will go away.
Work is really full on this year, more so than ever before, but I feel that I am moving forward now and not either just treading water or trying to catch up.
The whole six month plan that I put in place last year has been blown out by about 6 months... And I am in the process of re-working the strategy anyway to take advantage of the changes.
But all in all I am still moving towards the end goals that I set in place last year.
I am very excited because in the coming weeks I am back to focusing on some strategic stuff that I have not been able to get done due to the piles and piles of work that I have been trying to get through.
When people talk about 'turning a corner' I can really relate to that concept right now. I feel like I am just on the edge of that corner. I can see the street and I am just pivoting around, not quite there yet, but definitely moving around.
The down side of working so hard has been a consistent lack of quality sleep, I am not stressed per se, but I have huge amounts of stuff on my mind, stuff like planning lists, doing work etc, not stressful stuff just a mind that is busy.
The problem with bad sleep patterns means I have had a head cold on and off and have not been getting to the gym more than a couple of times in the last few months.
It's silly because I know that exercise is exactly what my body and mind need right now, but when you feel even slightly under the weather (allergies included) the last thing you feel like doing is going to the gym right?
However I can feel myself getting, older, flabbier and less and less in shape.
At least I walk everywhere so I am getting some exercise but not the exercise I need.
It just occurred to me that as busy as I am I am less obsessed about my body shape which is both a good and bad thing.
I need to find a better balance between everything, or find a way to be in three or four places at once...
So there is a huge wrap up instead of the constant stream of hot boys and obsessive art posts.
The screenprints arrived today and like a kid at Christmas I couldn't wait to open them.
I am so not disappointed, the colours and just amazing and vibrant and the depth of the screenprints is quite breathtaking. You can see each of the paint layers as they have been applied to the board.
The pictures do absolutley no justice to these pieces (as normally is the case).
Now I just have to choose the three we want and get them framed!
Labels: art


Labels: art

This is the piece I have had for about 7 years which has never been framed. I finally picked up the framed piece yesterday and I have to say I love it!
The black borders around each panel are just perfect and really help frame each panel.
My favorite is the small yellow panel with the stick figure of the boy....
It reads:
When I was 9 or 10 some guy picked me up in Central Park and took me home, He
took a polaroid of me sitting naked in a chair, it didn't show my face so I let
him keep it.
Labels: art
Labels: art
I was wondering last night just how much it would cost to get my hands on a Warhol, an original painting, signed screenprint or a fabulous Brillo Box


Labels: art
Labels: art

When I was in Brisbane Last week I did buy this book on Warhol, so far I have only had time to read about 25% of it and am hoping that I will ahve more time this weekend!
You can buy it at Amazon
Labels: art

I found this artist's work from Mocolo pretty cool huh, more of Martina Nehrling's work here.
Labels: art


Labels: art
It's a bit weird working back in the middle of an office environment again.
For one thing it's very noisy and having worked in formal offices most of my adult life working in this sort of 'creative' space office will take some time to get fully used to.
Mind you I am enjoying myself quite a lot even if there will be a getting used to it time period.
On the not sleeping issue I did take a sleeper last night and had a much better nights sleep which was fantastic although I decided to sleep in till almost 8am this morning which is unheard of for me!
The down side of that was that I was in the office much later than I would normally like to be and so I am a good hour out of wack!
I have to look for a large piece of decorative art to go behind me on the wall a bit like the one I got for Christmas at home. But I want something in blue I think, but definitely not some ugly ocean scene hahaha.
The cutest thing about the office is watching Mabeline and Lucy play together, and most of the time they actually go and sleep in their respective beds which is fantastic. There is always a bit of posturing at first and they have a good play when they first see each in the morning. But apart from that they are very much behaving!
I seem to be rather fixated at the moment on the art issue... and I have been doing a lot of searching, browsing and reading on cool contempary artists.


Labels: art
Labels: art
After doing my mammoth Dream Art Collection post and revisiting a whole lot of my favorite artists.
I came across a clearance sale for signed copies of Joe Phillip's book For the Boys. So when something that cool comes along what's a boy to do?
Buy the bloody book of course!
That's what!
So in a few weeks I should have a nicely signed book of Joe Phillip's work.
Mind you I remember a few years back he was doing a book of real people and you could send in a picture and he would do a rendition of the picture for you and the book (much like Andy Warhol and The Factory portraits).
I was looking through his site to see whether he still does this sort of stuff because these days I think that could be really cool!
I might just have to email him and ask.
Years ago I did a review on his work and had a whole lot of emails back and forwards, which was way cool!
And in other news my Tom Cruise An Unauthorised Biography arrived today, considering it's offically 'banned' in Australia I am really stoked to have the copy!
Labels: art




Andy Warhol



Scott Redford

Gilbert and George
Pierre et Gilles
Hannah Hall
Justine Smith
David Larwill






Labels: art
I have just got back from an amazing couple of days in Melbourne staying at Peter Pan's (his real name is forever a secret) house. The boy met both Dangermouse and myself down there on Friday and we spent virtually the entire weekend.The weekend was a total riot with everything from playing dress ups and tongue kissing a Warhol portrait, to being absolutely munted on the dancefloor at Market a gay nightclub in Melbourne.
I have never really spent a lot of time in Melbourne before apart from when I would go down for two or one day work trips. But most of these times I did little else other than work so I never went out or wandered through the shops

But I really have found Melbourne loads and loads of fun! Oh the letters above are from a movable art work that you can create your own words and phrases, Dangermouse did this one with PP.
Last week up until Friday was a bit of a right off for me as I had a terribly sore back which I have now been told is a bulging disk (personally I think it's just some swelling that caused a spasm but I digress). I was not really in the mood to do much because of the pain and I was even a bit cautious about going to Melbourne. But it seems to have mainly sorted itself out now which is fantastic.
While I was in Melbourne I decided that a new art acquisition is required, so I have decided to purchase two of Scott Redford's sculptures entitle My Favorite Polar Bears, one in white and one in black.
I just have to work out a payment plan as they are not cheap!
Talking about art I had a fascinating discussion with Peter Pan about art and legacies. His own very impressive collection will upon his death be donated to a mjor public gallery to be known as the "" collection. It was really interesting to think about what your own legacy is going to be when you die.
For a very long time I wanted children because I wanted to leave a legacy or something of me for the future. But as I have grown older I have realised that I do not want the all encompassing responsibility of children.
PP's concept is that art collecting and then bequests to a major gallery are the best way to be remembered for posterity. He explained that buildings unless a magnificent structure don't last long these days, by the time your children (if you have any) pass away your memory will have been relegated to not much.
But because art is timeless and historically important by building a superb collection over many years and giving it away as a whole will entrust your name to history.
It was a fascinating though actually and it truly did get me to thinking again about what I would like my legacy to be.

You can click the image and be taken to the product page, and even better it's relatively cheap too at only $150 USD...
Labels: art